Label Each Quote From Romeo and Juliet as Representing the Theme of Love or Family.
Though the forbidden love between Romeo and Juliet lives at the heart of the play and drives much of its action, their love is only forbidden in the first identify due to the "ancient grudge," or feud, between the noble houses of Capulet and Montague. The source of the age-old fight between the two families is never explained or fifty-fifty hinted at—all that is clear is that these houses loathe each other and will leap at whatsoever run a risk to do violence unto each other, much to the dismay of Verona's citizens. Romeo and Juliet are bound past duty to honor their respective families, merely as their love for ane another deepens and their families' violence towards each other escalates, Shakespeare shows that parents owe their children the duties of respect, openness, and kindness—non exclusively, every bit the Capulets and Montagues need, the other fashion around.
Many of Shakespeare'due south works examine the duty children and younger generations within a family unit owe their parents, or the older generation—in Village, King Lear, and The Merchant of Venice, for example, Shakespeare interrogates filial duty, familial honour, and the difficulties of seeing a parent'southward will through. In Romeo and Juliet, however, Shakespeare turns this interrogation on its head. While a kid'southward laurels-bound duty to his or her parent is complex, to say the least, in the globe of Hamlet and King Lear, in Romeo and Juliet, it is portrayed outrightly as an absurd, castigating, and fifty-fifty cruel demand. Romeo and Juliet are bound to honor their families' hatred of one some other—when each learns who the other is after falling in love at a party at the Capulets' home, they are crestfallen to realize that they are enemies by default. Of form, Romeo and Juliet are not, every bit individuals, each other's enemies—but the codes of honor their parents accept thrust upon them demand that they hate one another merely out of duty. As Romeo and Juliet secretly conspire to shirk that duty, surrender to their love for each other, and marry in bully haste, Shakespeare points out the ridiculousness of feuds and grudges like the one between the Capulets and Montagues—ancient resentments whose root cause no i alive can even remember. Shakespeare shows that it is the very fact that Romeo and Juliet'southward love is forbidden which spurs their passion—as young teenagers, they long to get in trouble and defy their families, and marrying ane another is the ultimate transgression confronting their parents' wills.
Shakespeare also points out but how profoundly the Capulets and Montagues fail their children by honoring their desires for social climbing and political advancement. The Capulets are more concerned with throwing gaudy feasts that will depict the green-eyed and attention of all their friends than they are with nurturing their ain family. Though Capulet insists that Juliet is the most important thing in his life, it is clear from his behavior that he (and Lady Capulet, also) are interested only in impressing their beau citizens, marrying Juliet to a man who will improve their family's social continuing, and keeping under wraps the very scandals and brawls with the Montagues that they themselves stoke. When Juliet fakes her own decease and Capulet mourns her loss in loud, ridiculous, florid terms, Friar Laurence chides him for his hypocrisy—while Juliet was alive, "the most [Capulet] sought was her promotion"—at present that she is dead and in heaven, the friar points out, she has received the greatest social "promotion" of all. The Montagues, besides, are guilty of shirking their duties to their son—Lady Montague is concerned about Romeo being seen brawling in the streets but doesn't actually bother to keep track of her son's wellbeing or whereabouts. Montague, too, seems deeply uninterested in learning about Romeo'southward inner emotional life—he knows his son is, at the start of the play, struggling with feelings of unrequited love, but has not bothered to get to the heart of his troubles. All of the parents in the play are shown to be more concerned with social appearances and their own piddling issues than with honoring their duties to their children—fifty-fifty equally they need their children conform to arbitrary, outdated social mores and dorsum their ain feuds mindlessly.
Ultimately, Shakespeare uses the tale of Romeo and Juliet and their "star-crossed dearest" to evidence the chaos and devastation that tin can befall parents who do not listen to or respect their ain children. "Run into what a scourge is laid upon your hate," Prince Escalus orders the Capulets and Montagues at the end of the play. "All are punished." In believing their children owed it to them to continue sowing the seeds of their own petty hatred, the adults in the play accept done their offspring—and their community—a great disservice. Shakespeare clearly believes that familial duty runs both ways, and that in failing to acknowledge that fact, order's pompous elders will only bring endless woe upon themselves.
Family and Duty ThemeTracker
The ThemeTracker below shows where, and to what degree, the theme of Family and Duty appears in each scene of Romeo and Juliet. Click or tap on whatever chapter to read its Summary & Analysis.
How oftentimes theme appears:
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Family and Duty Quotes in Romeo and Juliet
Below y'all will find the important quotes in Romeo and Juliet related to the theme of Family and Duty.
Ii households, both alike in dignity,
In off-white Verona, where nosotros lay our scene,
From ancient grudge break to new mutiny,
Where ceremonious blood makes civil hands unclean.
From along the fatal loins of these two foes,
A pair of star-cross'd lovers take their life;
Whose misadventured piteous overthrows,
Doth with their expiry bury their parents' strife.
The fearful passage of their expiry-marker'd love,
And the constancy of their parents' rage,
Which, just their children'southward end, nought could remove,
Is now the 2 hours' traffic of our phase;
The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
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My only love sprung from my only hate!
Besides early seen unknown, and known too late!
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O Romeo, Romeo! wherefore art 1000 Romeo?
Deny thy father and refuse thy proper noun;
Or, if chiliad wilt not, be but sworn my love,
And I'll no longer exist a Capulet.
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'Tis just thy name that is my enemy; —
Thou art thyself though, not a Montague.
What'south Montague? It is nor hand, nor foot,
Nor arm, nor face up, nor whatsoever other function
Belonging to a human. O, exist some other name!
What's in a proper name? That which we call a rose,
Past any other word would smell as sweetness;
Then Romeo would, were he not Romeo call'd,
Retain that dear perfection which he owes
Without that title: — Romeo, doff thy proper name;
And for thy proper name, which is no part of thee,
Take all myself.
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I take thee at thy give-and-take:
Call me but love, and I'll be new baptis'd;
Henceforth I never will exist Romeo.
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For cypher and then vile that on the globe doth live
But to the earth some special good doth give;
Nor naught and then skilful merely, strain'd from that off-white use,
Revolts from true birth, stumbling on the corruption:
Virtue itself turns vice, beingness misapplied;
And vice sometimes by action dignified.
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Romeo, the hate I bear thee can beget
No amend term than this: m fine art a villain.
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Romeo: Backbone, human; the hurt cannot be much.
Mercutio: No, 'tis not then deep as a well, nor so broad every bit a church-door; just 'tis enough, 'twill serve: ask for me to-morrow, and you shall find me a grave human.
Related Characters: Romeo (speaker), Mercutio (speaker)
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Is there no pity sitting in the clouds
That sees into the bottom of my grief?
O sugariness my mother, cast me not away!
Delay this spousal relationship for a calendar month, a calendar week,
Or if y'all do not, brand the bridal bed
In that dim monument where Tybalt lies.
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Or bid me become into a new-made grave,
And hide me with a dead man in his shroud -
Things that, to hear them told, take made me tremble -
And I will practise it without fearfulness or incertitude,
To live an unstain'd wife to my sugariness love.
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For never was a story of more woe
Than this of Juliet and her Romeo.
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